ROBERT PALMER (Pop-Rock)

Origin: Scarborough, Yorkshire, England
Born: January 19, 1949(1949-01-19)
Died September 26, 2003 (aged 54) Paris, France
Genre(s): Rock, Blue-eyed Soul, Pop Rock, Soul Rock, New Wave
Occupation(s): Singer, Songwriter, Instrumentalist, Record producer
Instrument(s): Vocals, guitar, keyboards, bass guitar, drums
Years active: 1969 — 2003

"For me the style of Robert Palmer resides on his Island recordings. For those albums alone he has a place in the pantheon of (for want of a better cliche) rock's elite. Today you can buy 'Greatest Hits' type albums, or '20th Century Masters'. There is last years' 'Rhythm and Blues', but look to the albums I have described for artistic beauty and pioneering work. He is much underrated and I miss him. Thanks for the memories, Bob!" (John Taylor - Duran Duran)

Robert Allen Palmer (January 19, 1949 – September 26, 2003), born in Batley, Yorkshire, was an English singer. He was known for his soulful voice and the eclectic mix of musical styles on his albums, combining new-wave, pop, soul, jazz, rock, reggae, blues and yodeling.

The son of a British serviceman stationed in Malta, Palmer moved with his family to Scarborough, Yorkshire in 1959. Influenced as a child by blues, soul, and jazz music on American Forces Radio, Robert Palmer joined his first band, The Mandrakes, at the age of 15 while still at Scarborough Boy's High School. His first major break came with the departure of singer Jess Roden from the band The Alan Bown Set in 1969, after which Palmer was invited to London to sing on their single "Gypsy Girl". The vocals for the album The Alan Bown!, originally recorded by Roden (and released in the US that way), were re-recorded by Palmer after the success of the single.

In 1970, Palmer joined the 12-piece jazz-rock fusion band Dada, which featured singer Elkie Brooks. The band lasted a year, after which Brooks and Palmer formed the critically acclaimed but commercially unsuccessful rhythm and blues group, Vinegar Joe; Palmer sang and played rhythm guitar. Signed to the Island Records label, they released three albums: Vinegar Joe (1972), Rock 'n' Roll Gypsies (1972), and Six Star General (1973).

On the basis of his youthful looks, strong stage presence, and soulful voice, Island Records signed Palmer to a solo deal. His first solo album Sneakin' Sally Through the Alley recorded in New Orleans, Louisiana in 1974, was heavily influenced by the music of Little Feat and the funk fusion of The Meters who acted as backing band along with producer/guitarist Lowell George of Little Feat. His first single was a cover of Little Feat's "Sailin' Shoes." Although moderately successful in the UK, both the album and single reached the Top 100 in the US. Notably, "Sailin' Shoes" (the album's first track), Palmer's own "Hey Julia" and the Allen Toussaint-penned title track carry virtually the same rhythm, and are packaged on the CD as a "trilogy" without a pause between them.

Subsequently relocating from London to New York City with his wife, Palmer released Pressure Drop in 1975 (featuring famed Motown bassist James Jamerson). An album infused with his interests in reggae and rock music, it was noted for its cover art of a nude girl on a balcony rather than any commercially successful songs. (The lead single "Give Me An Inch" did win critical plaudits for Palmer's note-perfect delivery and its chord changes, which surprised George during the recording process.) He toured with Little Feat to promote that album.

However, with the failure of the follow-up Some People Can Do What They Like, Palmer decided to move to the Bahamas; after that, his "expatriate lifestyle" was likely to receive more coverage than his music in British newspapers.

In 1978, he released Double Fun, a collection of Caribbean-influenced rock, including a down-tempo and syncopated cover of "You Really Got Me". The album reached the Top 50 on the US Billboard charts and scored a Top 20 single with the Andy Fraser-penned "Every Kinda People". With its blend of Caribbean steel pan, violins and moving lyrics, "Every Kinda People". has become one of Palmer's best-loved songs, covered multiple times by other artists (including Chaka Demus and Pliers, Randy Crawford and Amy Grant) and cited by music fans and spiritual groups for its positive message.

Palmer's next album was an artistic departure, concentrating on a rockier direction. 1979's Secrets produced his second Top 20 single with Moon Martin's "Bad Case of Loving You (Doctor, Doctor)", which like "Every Kinda People" became one of his signature tunes.

The 1980s saw Palmer find an increasing amount of commercial success. The album Clues, produced by Palmer and featuring Chris Franz and Gary Numan, generated hits on both sides of the Atlantic, first with the radio-friendly single "Johnny and Mary" and then "Looking for Clues". Catchy music videos matching the synth pop stylings of New Wave gave him much needed exposure to a younger audience. The success was repeated with the 1982 EP release of Some Guys Have All the Luck.

1983 saw Palmer blend techno beats, early sampling and more of the island music of his adopted Bahamas (including steel pan) into the adventurous album Pride. Though the album wasn't the smash Clues was, it did feature standout tracks in the title song and Palmer's cover of The System's "You Are In My System", with The System's David Frank contributing keyboard tracks to the latter song.

"You Are In My System" was an example of Palmer's passion for R&B covers. He jammed the song onto the Pride album after the other tracks were finished. Hearing the track in a Paris club, Palmer rushed back to his Bahamas hometown, where the reconvened band (co-composer Frank included) put together the number. Esquire magazine recounted the tale of the last-minute addition later that year. Palmer did the same in liner notes for his 1992 Addictions Volume 2 CD, which included his re-voiced version of "You Are In My System."

1985 was a milestone year for Palmer. After Duran Duran went on hiatus, their guitarist Andy Taylor and bassist John Taylor joined drummer Tony Thompson and Palmer to form the band Power Station. Their eponymous album, recorded mostly at the New York studio for which the band was named, reached the Top 20 in the UK and the US and spawned two hit singles with "Some Like It Hot" and a cover of the T. Rex song "Get It On". Palmer performed live with the band only once that year, on Saturday Night Live. The band toured, and even played Live Aid, with singer Michael Des Barres after Palmer bowed out at the last moment to go back into the studio to further his newly revitalized solo career. It proved to be a good choice for Palmer.

Palmer recorded the album Riptide in 1985, recruiting Thompson and Andy Taylor to play on some tracks and Power Station producer Bernard Edwards, who worked with Thompson in the group CHIC, to helm the production.

Riptide featured the #1 single "Addicted to Love". The single was accompanied by a memorable and much parodied music video, directed by Terence Donovan, in which Palmer is surrounded by a bevy of near-identically clad, heavily made-up female "musicians". The singles "Hyperactive" and his cover of Cherrelle's "I Didn't Mean to Turn You On" also performed well. Another song, "Trick Bag" was written by one of his major influences, New Orleans jazz artist Earl King. In 1987, he won the Grammy Award for Best Male Rock Vocal Performance for his song "Addicted to Love".

Palmer had offered to replace Lowell George in Little Feat as they prepared their 1987 reunion, but they declined his offer.

In 1987, Palmer moved to Lugano, Switzerland and set up his own recording studio. Producing Heavy Nova in 1988, Palmer again returned to experimenting, this time with bossa nova rhythms, heavy rock, and white soul balladeering. He repeated his previous success with "Addicted to Love" with the video of "Simply Irresistible", again Palmer with a troupe of female "musicians". The ballad "She Makes My Day" also proved to be a hit. In 1989, he won a second Grammy for "Simply Irresistible", which would later be featured in the Tony Award-winning musical Contact. Rolling Stone magazine voted Palmer the best-dressed rock star for 1990.

Palmer collaborated with UB40 for his next album, Don't Explain. Released in 1990, it featured the Bob Dylan-penned Top 10 single "I'll Be Your Baby Tonight" and the Top 20 Marvin Gaye cover "Mercy Mercy Me". Throughout the 1990s, Palmer ventured further into diverse material. The 1992 album Ridin' High was a tribute to the Tin Pan Alley era.

In 1994, Palmer released the tropical album Honey to mixed reviews and commercial success. While the album failed to spawn any hit singles in the United States, he did find success in Britain with the release of three hit singles "Girl U Want", "Know By Now" and "You Blow Me Away".

In 1995, Palmer reunited with other members of The Power Station to record a second album. Bassist John Taylor eventually backed out of the project (due to personal problems), to be replaced by old colleague Bernard Edwards. Palmer and the rest of the band completed the album Living In Fear (released in 1996), and had just begun touring when Edwards died of pneumonia.

The next few years saw more touring and more compilations; the next release of new material, Rhythm and Blues (1999) contained a mixture of Little Feat influenced songs, rock, and pop. Palmer released "True Love", a single from the album Rhythm and Blues; the song was a minor hit in Britain.

His final release, Drive (2003), was critically hailed as the grittiest and most heartfelt album of his career. Inspired by a previous collaboration with Carl Carlton on a Robert Johnson tribute album, Drive featured covers of fifteen blues standards, plus the original track "Lucky". He also conducted smaller scale tours, mostly around the lucrative casino circuit.

Palmer, who made his home in Lugano, Switzerland for his last 15 years, died in Paris, France in 2003 of a heart attack at the age of 54. He is interred at the cemetery in Lugano. With Thompson's death later that year and Edwards' back in 1996, three members of the Power Station team that helped propel Palmer to his biggest success have met untimely ends.


Discography

Studio & Live Albums:
1974 Sneakin' Sally Through the Alley
1975 Pressure Drop
1976 Some People Can Do What They Like
1978 Double Fun
1979 Secrets
1980 Clues
1982 Maybe It's Live
1983 Pride
1985 Riptide
1988 Heavy Nova
1990 Don't Explain
1992 Ridin' High
1994 Honey
1999 Rhythm & Blues
2001 Live at the Apollo
2003 Drive

With Power Station:
1985 Power Station
1996 Living in Fear

Compilations:
1989 Addictions Volume I
1992 Addictions Volume II
1995 Very Best Of Robert Palmer
1998 Woke Up Laughing
2002 Best Of Both Worlds: The Robert Palmer Anthology (1974-2001)
2005 The Very Best of the Island Years